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| Year | Author(s) | Title | Type of publication |
|---|---|---|---|
| 2008– | Andrea Coen, Roberto De Caro, Roberto Illiano (President), Leon B. Plantinga, David Rowland, Luca Sala (Segretario Tesoriere), Massimiliano Sala (Vice-president), Rohan H. Stewart-MacDonald, and Valeria Tarsetti | Edizione Nazionale dell’ Opera Omnia di Muzio Clementi |
National edition of Clementi's complete works (Ministero per i Beni e le Attività Culturali, Roma) |
| 2000– | Andrea Coen, Roberto Illiano, Costantino Mastroprimiano, Luca Sala, and Massimiliano Sala (editors) | Muzio Clementi (1752-1832): Opera Omnia | Scores of Clementi's complete works |
| Forthcoming (2008) | David Rowland | The Correspondence of Muzio Clementi/La corrispondenza di Muzio Clementi | Book |
| 2008 | Rohan H. Stewart–MacDonald | ‘Clementi's Orchestral Works, Their Style and British Symphonism in the Nineteenth Century: S. Wesley, Crotch, Potter, MacFarren and Sterndale Bennett’ | Article in Ad Parnassum: A Journal of Eighteenth– and Nineteenth–Century Instrumental Music, vol.V/10 (p.7–71) |
| 2008 | Jeremy Eskenazi | ‘Clementi’s Gradus ad Parnassum on the Concert Stage’ | Article in Ad Parnassum: A Journal of Eighteenth– and Nineteenth–Century Instrumental Music, vol.V/10 (p.73–101) |
| 2008 | Rohan H. Stewart–MacDonald | ‘The Minor Mode as Archaic Signifier in the Solo Keyboard Works of Domenico Scarlatti and Muzio Clementi’ | Chapter in the book Domenico Scarlatti Adventures. Essays to Commemorate the 250th Anniversary of His Death (p.401–444) |
| 2007 | Rohan H. Stewart–MacDonald | ‘The Faces of Parnassus: Towards a New Reception of Muzio Clementi's Gradus ad Parnassum’ | Chapter in the book The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire (p.69–100) |
| 2006 | Rohan H. Stewart–MacDonald | New Perspectives on the Keyboard Sonatas of Muzio Clementi | Book |
| 2006 | David Rowland | ‘Viotti and Clementi: Friendship, Publishing, the Philharmonic Society and the Royal Academy of Music’ | Chapter in the book Giovanni Battista Viotti: A Composer between the Two Revolutions (p.377–394) |
| 2004 | Richard Bösel and Massimiliano Sala (editors) | Muzio Clementi: Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752–2002) | Book of essays in Italian and English (by Leon Plantinga, Roberto Illiano, Alberto Iesuè, David Rowland, Anselm Gerhard, Eva Badura–Skoda, Andrea Coen, Dorothy De Val, Massimiliano Sala, Rohan H. Stewart–MacDonald, Otto Biba, Federico Celestini, and Luca Sala) |
| 2003 | Rohan H. Stewart–MacDonald | ‘Canonic Passages in the Later Piano Sonatas of Muzio Clementi: Their Structural and Expressive Roles’ | Article in Ad Parnassum: A Journal of Eighteenth– and Nineteenth–Century Instrumental Music, vol.I/1 (p.51–107) |
| 2003 | Marc Vignal | Muzio Clementi | Book (in French) |
| 2002 | Anselm Gerhard | London und der Klassizismus in der Musik: Die Idee der »absoluten Musik« und Muzio Clementis Klavierwerke | Book (in German) |
| 2002 | Roberto Illiano, Luca Sala, and Massimiliano Sala (editors) | Muzio Clementi: Studies and Prospects | Book of essays in Italian, English and German (by Alberto Iesuè, Mariateresa Dellaborra, Dorothy De Val, Simon McVeigh, Fiona M. Palmer, Peter Niedermüller, Federico Celestini, Galliano Ciliberti, Claudia Vincis, Luca Sala, David Rowland, Roberto Illiano, Sergio Martinotti, Massimiliano Sala, Eva Badura–Skoda, William Drabkin, Bernard Harrison, Barry Cooper, Rudolf Rasch, Donatella Degiampietro, Barbara Mingazzini, Giacomo Fornari, Marco Tiella, and Andrzej Sitarz) |
| 1998 | Guy Sacre | ‘Muzio Clementi’ | Article in La musique de piano: dictionnaire des compositeurs et des oeuvres, vol.1: A–I, by the same author (p.755–793) |
| 1977 | Leon Plantinga | Clementi: His Life and Music | Book |
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Copyright © Jeremy Eskenazi 2008. All rights reserved.