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Cover page and table of contents
p.2–7: CLEMENTI, Muzio (1752–1832) : ‘Epitome of Counterpoint’
p.8–31: KIRNBERGER, Johann Philip (1721–1783)
p.8–9: Voluntary in F major ‘with Double Counterpoints’
p.10–11: Voluntary in F major ‘on the same subject variously treated’
p.12–14 : Fugue in C# minor
p.15 : Fugue in A minor
p.16–18 : Fugue in Bb major in 3 voices
p.18–21 : Fugue in D minor in 3 voices (Allegro molto)
p.21 : Gavotta in D minor
p.22–23 : Fugue in D major in 2 voices (Allegro)
p.26–27 : Fugue in Eb major in 3 voices
p.27 : Polonaise in Eb major (Moderato)
p.28–29 : Fugue and Polonaise respectively in F minor and F major (Grave–Moderato)
p.30–31 : Prelude and Fugue in C major
p.31 : BACH, Carl Philip Emanuel (1714–1788) : Canon in C major ‘per diminutionem’
p.31 : FASCH, Carl Friedrich Christian (1736–1800) : Canon in G minor ‘per diminutionem’
p.31 : TURINI, Francesco (1589–1656) : Canon in C major in 4 parts
p.32 : MARTINI, Padre Giovanni Battista (1706–1784) : Canon in C major ‘infinito, o circolare all‘ 8va’
p.32 : AGOSTINI DA VALLERANO, Paolo (1583–1629) : Canon starting in C mode and ‘perpetually ascending one tone’
p.32–33 : CARESANA, Cristoforo (1640–1709) : Fugue in C mode ‘on 2 subjects’
p.33 : PERTI, Giacomo Antonio (1661–1756) : Fugue in D major in 3 voices
p.34 : BACH, Carl Philip Emanuel (1714–1788) : Canon in G major
p.34–35 : HAYDN, Franz Joseph (1732–1809) : Minuet in canon and Trio, in E minor and E major (Allegretto)
p.36 : BACH, Carl Philip Emanuel (1714–1788) : 2 Minuets, in F major and F minor, the second in canon
p.36–37 : HANDEL, Georg Frideric (1685–1759) : Fugue in B minor in 2 voices (Allegro)
p.38–50 : PORPORA, Nicola (1686–1768)
p.38–39 : Fugue/fugato 1 in A major (Allegro)
p.40–41 : Fugue/fugato 2 in G major (Allegro)
p.42–43 : Fugue/fugato 3 in D major (Moderato–Adagio)
p.44–45 : Fugue/fugato 4 in Bb major
p.46–47 : Fugue/fugato 5 in G minor (Moderato–Adagio)
p.48–50 : Fugue 6 in C major ‘Diatonica, Enarmonica, Cromatica’
p.51–75 : ALBRECHTSBERGER, Johann Georg (1736–1809), ‘composer of the Cathedral at Vienna’
p.51–53 : Fugue 1 in B minor (Moderato)
p.54–56 : Fugue 2 in E major (Allegro Moderato)
p.57–59 : Fugue 3 in A minor in 3 voices (Allegro Moderato)
p.60–63 : Fugue 4 in F major ‘Do, Re, Mi, Fa, Sol, La’ (Moderato)
p.64–66 : Fugue 5 in C major (Poco Vivace)
p.67–69 : Fugue 6 in Eb major (Allegro Maestoso)
p.70–71 : Fugue 7 in C major (Allegro Moderato)
p.72–73 : Fugue 8 in A minor (Moderato)
p.74–75 : Fugue 9 in A major (Moderato)
p.75 : TELEMANN, Georg Philipp (1681–1767) : Fughetta in D major
p.76–102 : EBERLIN, Johann Ernst (1702–1762)
p.76–81 : Voluntary and Fugue 1 in D minor, with no key signature
p.82–87 : Voluntary and Fugue 2 in A minor
p.88–91 : Voluntary (Andante) and Fugue 3 in A mode, ending with half–cadence
p.92–97 : Voluntary (Andante) and Fugue 4 in C major
p.98–102 : Voluntary and Fugue 5 in F major
p.103–105 : UMSTATT, Joseph (1711–1762) : Voluntary (Larghetto–Adagio) and Fugue in G minor, with only Bb in the key signature
p.106–107 : MARPURG, Friedrich Wilhelm (1718–1795) : Prelude and Fugue in G major (Grave–Allegro)
p.108–109 : MOZART, Wolfgang Amadeus (1756–1791) : Fugue in D minor from the Requiem ‘adapted for the Organ or Piano Forte by Muzio Clementi’ (Allegro Moderato–Adagio)
p.110–126 : BACH, Carl Philip Emanuel (1714–1788)
p.110 : Voluntary in A major (Allegro)
p.110–113 : Fugue in A major (Allegretto)
p.114–116 : Fugue in D minor (Allegro di molto)
p.117–121 : Fantasia (Allegro Moderato) and Fugue (Allegro di molto) in G minor
p.122–126 : Voluntary (Allegro di molto) and Fugue (Allegro) in F minor and F major
p.127–131 : BACH, Johann Ernst (1722–1777) : Fantasia and Fugue in F major (Allegro Moderato–Allegro)
p.132–145 : BACH, Johann Sebastian (1685–1750)
p.132–137 : Prelude in G major
p.138 : Gavotte in G major
p.138–139 : Courante in G major
p.139 : Loure in G major
p.140–141 : Allemande in G major
p.141 : Sarabande in G major
p.142 : Bourrée in G major
p.143–145 : Gigue in G major
Cover page and table of contents
p.2–15: ALBRECHTSBERGER, Johann Georg (1736–1809)
p.2–4 : Fugue 1 in G major ‘alla 12ma a tre’ (Andante con moto)
p.5–7 : Fugue 2 in B minor
p.8–9 : Fugue 3 in G major (Moderato)
p.10–11 : Fugue 4 in G minor (Moderato)
p.12–13 : Fugue 5 in D major (Poco Vivace)
p.14–15 : Fugue 6 in D minor
p.16–35 : EBERLIN, Johann Ernst (1702–1762)
p.16–21 : Voluntary and Fugue 1 in G minor, with only Bb in the key signature
p.22–27 : Voluntary and Fugue 2 in D major
p.28–31 : Voluntary and Fugue 3 in G major
p.32–35 : Voluntary and Fugue 4 in E minor
p.36–44 : MOZART, Wolfgang Amadeus (1756–1791) : Fantasia in F minor ‘adapted for the Organ or Piano Forte by Clementi’ (Allegro Moderato – Andante Cantabile – Tempo primo)
p.45–64 : BACH, Carl Philip Emanuel (1714–1788)
p.45–48 : Fantasia and Fugue in C minor (Allegretto – Allegro)
p.49–51 : Fantasia in C major (Presto di molto – Andante – Presto di molto – Larghetto Sostenuto – Presto di molto)
p.52 : Voluntary in C minor, nowadays known as ‘Solfeggietto’ (Prestissimo)
p.53–57 : Fugue in Eb major in 4 voices (Allabreve Moderato)
p.58–64 : Sonata in Bb major ‘composed expressly for the Organ’ : Allegro, Arioso e Cantabile (in Eb major), Allegro
p.65–73 : BACH, Johann Sebastian (1685–1750) : Toccata and Fugue in D minor
p.74–99 : HANDEL, Georg Frideric (1685–1759)
p.74–75 : Fugue 1 in G minor
p.76–77 : Fugue 2 in C minor
p.78–79 : Fugue 3 in Bb major
p.80–82 : Fugue 4 in A minor
p.83–85 : Fugue 5 in G major
p.86–88 : Fugue 6 in B minor
p.89–91 : Fugue 7 in E minor (Allegro – Adagio)
p.92–93 : Fugue 8 in F# minor (Allegro – Adagio)
p.94–95 : Fugue 9 in D minor (Allegro – Adagio)
p.96–97 : Fugue 10 in F major (Allegro)
p.98–99 : Fugue 11 in F minor with only 3 flats in the key signature (Allegro)
p.100–129 : MARTINI, Padre Giovanni Battista (1706–1784)
p.100–109 : Sonata 1 in F minor with only 3 flats in the key signature : Preludio (Grave), Fuga (Allegro Moderato), Siciliana (Adagio), Corrente, Gavotta
p.110–118 : Sonata 2 in G minor : Preludio, Fuga (Allegro Moderato), Adagio, Allegro, Sarabanda
p.119–126 : Sonata 3 in A major : Preludio, Fuga, Adagio, Allegro, Balletto (Allegro)
p.127–129 : Sonata 4 in E minor : Preludio, Fuga (Allegro)
p.130–131 : SCARLATTI, Alessandro (1660–1725), ‘father to Domenico Scarlatti’ : Fugue in F minor with only 3 flats in the key signature
p.132–137 : SCARLATTI, Domenico (1685–1757), ‘the celebrated Performer on the Harpsichord and Organ’
p.132–134 : Fugue 1 in D minor with no key signature (Andante Moderato), now known as K31
p.135–137 : Fugue 2 in G minor, ‘the celebrated Cat's Fugue’ (Moderato), now known as K40
p.138–157 : FRESCOBALDI, Girolamo (1583–1643), referred to as ‘the celebrated Girolamo Frescobaldi, who flourished about the beginning of the seventeenth century ; and was organist of St Peter's Church at Rome’
p.138–140 : Canzona in G minor with only Bb in the key signature
p.141–143 : Canzona in G major with no key signature
p.144–145 : Fugue 1 in D minor with no key signature (spurious)
p.146–147 : Fugue 2 in G minor with only Bb in the key signature (spurious)
p.148–153 : Fugue 3 in A minor (spurious)
p.154–155 : Canzona in F major (Moderato)
p.156 : Corrente in A minor (Moderato)
p.156–157 : Toccata in F major ‘di durezze, e ligature’ (Grave – Adagio)
Cover page and table of contents
‘The arrangement in the various pieces of this volume, excepting the article of Christian Bach, is entirely by the Editor.’
p.2–46 : BACH, Wilhelm Friedemann (1710–1784), ‘eldest son of Seb. Bach’
p.2 : Fugue in D minor (Moderato)
p.3–7 : Capriccio in D minor (Allegro di molto – Grave – Adagio – Allegro di molto – Grave – Moderato – Grave – Allegro di molto – Moderato – Allegro di molto)
p.8 : Polonaise 1 in D minor (Moderato)
p.8–9 : Polonaise 2 in F major, Da Capo Polonaise 1
p.9 : Fugue 2 in D major
p.10–11 : Adagio in B minor
p.12–15 : Vivace in D major
p.16–17 : Polonaise in D major
p.18–19 : Fugue 3 in C major
p.19–20 : Polonaise in C major
p.21–22 : Fugue 4 in C minor
p.23 : Polonaise in C minor
p.24–25 : Fugue 5 in Bb major
p.25–27 : Polonaise 1 in Bb major
p.27–28 : Polonaise 2 in G minor, Da Capo Polonaise 1
p.29–30 : Fugue 6 in Eb major
p.31–32 : Polonaise in Eb major
p.32–33 : Fugue 7 in E minor
p.34–35 : Polonaise 1 in E minor
p.35–36 : Polonaise 2 in E major, Polonaise 1 Da Capo
p.37–39 : Fugue 8 in F minor
p.40–41 : Polonaise in F minor (Affettuoso)
p.41–45 : Fugue 9 in C minor
p.46 : Polonaise in C minor (Affettuoso)
p.47–87 : BACH, Carl Philip Emanuel (1714–1788), ‘2nd son of Seb. Bach’
p.47–49 : Fantasia in C minor (Allegro Moderato – Largo – Allegro Moderato – Più lento)
p.50–51 : Adagio Affettuoso e Sostenuto in Ab major, ending with a Cadenza
p.52–55 : Fugue in C minor (Allegro – Adagio – Allegro – Adagio)
p.56–60 : Rondo Allegro in C minor, open–ended
p.61–66 : Fantasia in C major (Andantino – Prestissimo – Andantino – Allegretto – Andantino – Allegretto – Andantino – Allegretto – Andantino – Prestissimo – Andantino)
p.67–68 : Fugue in C major, the subject of which ‘spells Bach’s name among the Germans, who call our B flat B, and our B natural H.’
p.69–71 : Allegro assai in C major
p.72 : Andantino con moto in C minor
p.73 : Presto in C minor
p.74–75 : Allegro Spiritoso in C major
p.75–79 : Sonata in F major : Allegro moderato, Allegro
p.80–87 : Sinfonia in F major : Allegro di molto, Andante in F minor, Allegro assai
p.88–101 : BACH, Johann Christoph Friedrich (1732–1795), ‘3rd son of Seb. Bach’
p.88–89 : Fugue in C minor
p.90–93 : Rondo Moderato in C major
p.94 : Minuet in C major (Allegretto Spiritoso)
p.94 : Polonaise in G major
p.95–101 : Sonata in C major : Allegretto, Andante alla Siciliana in C minor, Allegro
p.102–114 : BACH, Johann Christian (1735-1782), ‘youngest son of Seb. Bach’
p.102–109 : Sonata in E major: Allegro assai, Adagio in A major, Prestissimo
p.110–114 : Sonata in C minor: Grave, Allegro moderato, Allegretto
p.115–123 : BACH, Johann Sebastian (1685–1750)
p.115–121 : Fugue in A minor (Allegro)
p.122–123 : Fugue in C major (Allegro)
Cover page and table of contents
p.2–77 : MARTINI, (Padre) Giovanni Battista (1706-1784), referred to as the ‘celebrated Padre Martini’
p.2–9 : Sonata 1 in E minor: Adagio, Allegro, Aria with 4 variations, Minuetto
p.10–19 : Sonata 2 in B minor: Preludio, Allegro, Adagio, Giga, Aria (Allegro Moderato)
p.20–28 : Sonata 3 in D major: Preludio, Allegro, Adagio, Corrente, Aria (Allegro Moderato)
p.29–35 : Sonata 4 in D minor with no key signature : Preludio, Allegro moderato, Adagio, Gavotta, Corrente ‘Canon ad diapason intensum’
p.36–44 : Sonata 5 in Bb major : Preludio, Allegro, Sarabanda (Adagio), Corrente, Giga
p.44–51 : Sonata 6 in G major : Preludio, Allegro, Andante, Allemanda, Minuetto with 3 variations
p.52–61 : Sonata 7 in C minor with only 2 flats in the key signature : Preludio, Allegro, Adagio, Allegro, Aria
p.62–71 : Sonata 8 in C major : Preludio, Allegro, Adagio, Allegro, Aria with 4 variations
p.72–77 : Sonata 9 in F major : Grave, Allegro, Allemanda, Aria (Vivace)
p.78–121 : ALBRECHTSBERGER, Johann Georg (1736–1809)
p.78–79 : Fugue 1 in F major
p.80–81 : Fugue 2 in F minor
p.82–83 : Fugue 3 in G major
p.84–85 : Fugue 4 in G minor (Moderato)
p.86–87 : Fugue 5 in A major (Andante)
p.88–89 : Fugue 6 in A minor (Moderato)
p.90 : Cadenza or Prelude in D major (Andante)
p.90–91 : Fugue 7 in D major (Poco Allegro)
p.91 : Cadenza or Prelude in A major (Adagio)
p.92–93 : Fugue 8 in A major (Moderato)
p.94 : Cadenza or Prelude in E major (Poco Andante)
p.94–96 : Fugue 9 in E major in 3 voices ‘Al Rovescio’
p.96 : Cadenza or Prelude in E minor
p.96–99 : Fugue 10 in E minor (Moderato Vivace)
p.100 : Cadenza or Prelude in G major
p.100–101 : Fugue 11 in G major (Tempo Giusto)
p.102 : Cadenza or Prelude in Bb major (Andante)
p.102–103 : Fugue 12 in Bb major (Allegro Moderato)
p.104 : Prelude in C major
p.105 : Fugue 13 in C major
p.106 : Prelude in D minor (Adagio)
p.106–107 : Fugue 14 in D minor
p.108 : Prelude in E minor (Poco Adagio)
p.108–109 : Fugue 15 in E minor (Moderato)
p.110 : Prelude in G major (Poco Adagio)
p.110–111 : Fugue 16 in G major
p.112 : Prelude in A minor (Adagio)
p.112–113 : Fugue 17 in A minor
p.114 : Prelude in B minor (Andante)
p.114–115 : Fugue 18 in B minor (Moderato)
p.116–117 : Fugue 19 in D minor ‘Christus resurrexit’ (Maestoso)
p.118–119 : Fugue 20 in C major ‘Alleluja’ (Moderato)
p.120–121 : Fugue 21 in C major ‘Alleluja’ (‘Ite Missa est’)
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